LuppetX is a tracking system for 3D Virtual YouTubers
that only requires a web camera and LeapMotion
LuppetX is a tracking system for 3D Virtual YouTubers
that only requires a web camera and LeapMotion
Specialized in upper body expression, various ingenuities are incorporated so that the character moves lively with just two devices.
Just hang the LeapMotion on your neck and point the camera at yourself.
It is developed with the aim of being used by a non-computer-savvy streamer alone.
You can move the character by simply converting the 3D model to VRM.
It also supports the latest VRM standards (VRM1.0).
We have prepared documentation to solve various questions such as preparing 3D models and devices, and how to use LuppetX.
“Luppet”, the predecessor of LuppetX, has been supporting VTubers’ broadcasts worldwide since its release in February 2019.
And thanks to the feedback from our users, various updates have been made.
It is designed to allow anyone to become a VTuber by minimizing the necessary equipment and preparation, even if they are not very familiar with computers.
Please watch the video.
While keeping the concepts and features of the conventional Luppet intact, we have redesigned everything from scratch.
In X, based on Luppet, we have added features such as ‘Accessory function’, ‘Motion transmission to external applications’, ‘Transparent background’, and ‘Behavior improvements during tracking loss’.
In addition to these, we have improved memory usage and GPU load compared to before.
From Game Streaming to Remote Meetings
We expect it to be used for chat streaming and game streaming using OBS.
On the other hand, it can also be used for things like remote meetings and presentations using avatars.
By purchasing a license, you can use it for commercial purposes regardless of whether you are an individual or a corporation.
As of May 2023, Luppet is used by more than 100 companies worldwide and over 13,000 individual VTubers.
Over-The-Top (OTT) Streaming and Changing Consumption Habits
Mega-teledramas now dominate the airwaves. These long-running soap operas prioritize commercial longevity over artistic depth.
April 18, 2026
What makes YouTube unique in Sri Lanka is linguistic authenticity . While mainstream TV uses rigid, formal Sinhala, YouTubers speak in colloquial dialects, slang, and even "Singlish" (Sinhala written in English script). This authenticity has created a massive trust gap; Gen Z trusts the YouTuber from Gampaha more than the polished news anchor.
Music is the heartbeat of popular media. The Sri Lankan music industry has split into two distinct streams. Www sri lanka xxx com 2
Sri Lanka's history is marked by a series of kingdoms and empires that have risen and fallen over the centuries. The island was first inhabited by indigenous tribes, and later, it was colonized by various foreign powers, including the Portuguese, Dutch, and British. In 1948, Sri Lanka gained independence from British colonial rule and became a dominion of the British Commonwealth.
High smartphone penetration and affordable mobile data have shifted the center of gravity from traditional broadcasting to digital-first entertainment. YouTube and Facebook as Primary Platforms
The flip side of this decentralization is dangerous. During the 2022 economic crisis (the "Aragalaya" protests), popular media became a battlefield. While citizen journalists live-streamed protests with bravery, state-sponsored bots and viral WhatsApp forwards spread economic disinformation. The question of "media literacy" has therefore become a national emergency.
"We are competing for the lowest attention span," laments veteran actress Kusum Renu. "We spent three months filming a teledrama with a moral. They spend three seconds on a dance trend. It is exhausting." While mainstream TV uses rigid, formal Sinhala, YouTubers
The most successful contemporary teledramas utilize satire and domestic drama to critique political corruption, economic hardships, and generational divides. Reality Television and Talent Shows
Despite the chaos, the consensus in Colombo’s media circles is optimistic. The lines are blurring. Television stars are launching podcasts. Radio hosts are streaming on Twitch. And the old teledramas? They are finally getting shorter, snappier, and smarter—because they know if the first episode is boring, the viewer will scroll away.
Whether it’s a 40-minute crime thriller on Netflix or a 15-second cat video on Instagram, Sri Lanka’s popular media has finally learned the golden rule: You can't control the algorithm. You can only be interesting.
Traditional "Baila" (a hybrid of Portuguese folk and African rhythm) remains the king of wedding receptions and boutiques (street parties). Legendary figures like W.D. Amaradeva (classical) still command reverence. The Sri Lankan music industry has split into
In terms of network dominance, emerged as the undisputed powerhouse. At the Raigam Tele’es 2025 , Hiru TV was crowned Most Popular Television Channel of the Year , while Hiru News won Best Television News Broadcast. The network’s dominance extended across multiple award ceremonies, including the Pinnacle Awards 2025 and the Asia Miracle Awards 2025 , where it also secured the Most Popular News Channel and Most Popular Television Channel titles. In the digital space, Swarnavahini led YouTube TV drama views with 222.87 million total views , closely followed by Hiru TV (185.22 million) and Sirasa (152.21 million).
Sri Lanka, a small island nation in South Asia, has a rich and diverse entertainment industry that reflects its cultural heritage. The country's entertainment content and popular media have evolved significantly over the years, influenced by its colonial past, cultural traditions, and modernization.
What made Tentigo truly remarkable, however, was its international ripple effect. The film sparked an unprecedented wave of remakes across multiple territories, with confirmed projects in development for markets. Acclaimed filmmaker Hansal Mehta is attached to direct the Hindi adaptation, while European producers are developing Spanish and Italian versions. As writer‑director Ilango Ram observed, “It became a cultural moment, celebrated with the same collective pride we saw when Sri Lanka won the 1996 Cricket World Cup” – one that “revived an entire generation’s relationship with cinema”. Tentigo ultimately screened in 21 countries and became the highest‑selling Sri Lankan film on BookMyShow’s ticketing platform.
However, the privatization of media in the 1990s—with the rise of networks like Maharaja Television (MTV/MBC), Sirasa TV, Swarnavahini, and Derana—transformed the landscape. To compete for ratings, networks introduced daily, long-running mega-teledramas. While these long-form soaps draw massive daily viewership, they frequently face criticism for prioritizing commercial formula over artistic substance. Mega-Dramas vs. Imported Content
Please install according to the instructions in the installer.
Membership registration is required to use LuppetX.
Please set up your account.
The license applies immediately after purchase
and LuppetX becomes fully usable.