If the reveal feels too uniform, add a "Speed Map" layer to create more organic, varied movement.
: With a layer selected in your composition, open the AutoFill script window. Choose your fill type (solid color, gradient, etc.), select your colors, and adjust any other settings as desired. Click "Apply" to fill your layer.
AutoFill v1.1.3 utilizes OpenCL and Metal frameworks. Set your project video rendering and effects processing to for the fastest simulation processing. To help me tailor this guide further, let me know:
Import your vector file, text layer, or transparent PNG into your composition. AutoFill relies on alpha data, so ensure your layer has a clean transparent background. Step 2: Apply the Effect AEScripts AutoFill v1.1.3 for After Effects MAC...
Before installing version 1.1.3, ensure your Mac system meets the hardware and software benchmarks required for stable GPU acceleration. Minimum Requirement Recommended macOS 10.15 (Catalina) or higher macOS 12 (Monterey) or higher After Effects CC 2019 or later CC 2022 to CC 2024+ Processor
You can use a source layer (like a greyscale map) to control the speed of the fill. This allows you to make certain parts of the logo fill quickly, while others creep in slowly. 2. Organic Growth (Flow)
Show you for logo reveals.
AutoFill v1.1.3 arrives as a deceptively simple utility designed to solve a recurring After Effects friction point: repetitive layer setup and tedious keyframe propagation. On the surface it’s a small productivity tool; in practice it reframes how motion designers approach routine tasks, freeing attention for creative decisions rather than mechanical repetition.
Installing AutoFill on a Mac is a straightforward process, though it differs slightly from Windows installations.
在这个版本迭代的时代，v1.1.3 代表的正是 AutoFill 在走向成熟过程中的一次稳定进化。无论是 LOGO 演绎、UI 动效，还是复杂的场景转场，AutoFill 都以其与生俱来的流畅和高效，继续为全球的创意工作者提供着不可或缺的加速度。 If the reveal feels too uniform, add a
Introduce organic variations to the flow.
You do not need to specify paths or boundaries. AutoFill reads the alpha channels, transparency boundaries, and vector lines of your layer. The simulation organically follows the intricate curves of your specific typography or illustration. 3. Multiple Growth Sources