High Quality — Suicideboys Discography
Their fourth album, continuing their streak of high-charting releases. Thy Kingdom Come
A shorter project that bridged the gap between their mixtape roots and studio polish. I Want to Die in New Orleans (2018):
: Cousins Ruby da Cherry and $crim founded the duo in 2013 with a literal "success or suicide" pact.
The follow-up, (2017), saw the Suicideboys continuing to push the boundaries of their sound, incorporating more rock and punk elements into their music. The album was a critical and commercial success, with many praising the duo's innovative approach to hip-hop. Suicideboys Discography
( New World Depression )
The duo released 20 numbered EPs under the "Kill Yourself" title between 2014 and 2017. Notable entries include: The Budd Dwyer Saga The Resurrection Saga (Part VIII) The Kingdom Come Saga The Infinity Saga Other Notable EPs I No Longer Fear the Razor Guarding My Heel
No independent duo has done more to blur the lines between punk, metal, and hip-hop. Their discography is a 10-year spiral of self-destruction and redemption, all backed by the hardest 808s in the industry. Grey ‘til the grave. Their fourth album, continuing their streak of high-charting
Higher mixing quality, stadium-ready hooks, and a heavier punk-rock vocal delivery.
Marking a massive shift in their personal lives, this album highlights a clean, sober, and deeply self-aware version of the cousins. $lick $loth's production evolved dramatically here, leaning on soulful, slowed-down vocal loops paired with crisp, modern trap percussion. It proved that uicideboyu i c i d e b o y
While the duo operated strictly in the underground for their first four years, their transition to full-length studio albums marked a massive commercial breakthrough without compromising their raw aesthetic. The follow-up, (2017), saw the Suicideboys continuing to
This article provides a comprehensive guide to the Suicideboys' discography, exploring their early days, rise to prominence, and recent releases. With their innovative approach to hip-hop and their refusal to be bound by traditional genre conventions, the Suicideboys have built a devoted following and critical acclaim. As they continue to push the boundaries of music, their discography remains a testament to their creative vision and artistic evolution.
Widely considered one of their most mature body of works, this album dives deep into the themes of recovery, spirituality, and looking back at past traumas with a clearer lens. Ruby’s soaring, melodic vocals and $lick’s introspective verses take center stage. "Matte Black", "Not Even Ghosts Are This Empty" New World Depression (2024)
loth (under his producer alias Buddha Sax or DJ Scrim) and refusing to compromise their gritty aesthetic for radio play, they rewrote the rules of the music industry.